卡西·阿弗莱克,托默·卡蓬,劳伦斯·菲什伯恩,艾米丽·比查姆,大卫·莫瑞瑟,Nikolett Barabas,夏洛塔·勒夫格伦,马克·埃布鲁埃,哈里·索维克,艾格塔·达瑙,纳纳·詹姆斯,Ferenc Iván Szabó
张嘉益,沙溢,刘敏涛,孙浩,宋丹丹,王紫璇,宣言,陈思敏,姜冠南,代文雯
连姆·尼森,乔尔·金纳曼,珍尼希斯·罗德里格兹,艾德·哈里斯,尼克·诺特,波伊德·霍布鲁克,文森特·多诺费奥,科曼,布鲁斯·麦克吉尔,博·纳普,霍特·麦克卡兰尼,帕特丽夏·考莱姆伯,马尔科姆·古德温,拉蒂沃杰·布克维奇,詹姆斯·马丁内斯,丹尼尔·斯图尔特·谢尔曼,托尼·德文,约翰·塞纳迭姆博,伊维特麦奎因费伊
比尔·奈伊,艾米莉·布朗特,鲁伯特·格林特,鲁伯特·艾弗雷特,艾琳·阿特金斯,马丁·弗瑞曼,格莱格·费什尔,杰夫·贝尔
弗伦奇·斯图尔特,艾瑞克·阿瓦利,芭芭拉·巴布科克,杰森·贝盖,克拉儿·凯瑞,乔安娜·高茵,米西·派勒,Gideon Jacobs,切尔茜·拉索,迈克·温伯格,肖恩·卡梅伦·迈克尔,多尼·沃特罗斯
《笼中女【影视解说】》是一部1971年推出的美国 / 菲律宾解说, Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ” “ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages. In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.