亚伦·泰勒-约翰逊,卡梅隆·CJ·亚当斯,渡边谦,布莱恩·科兰斯顿,伊丽莎白·奥尔森,卡森·波尔德,莎莉·霍金斯,朱丽叶·比诺什,大卫·斯特雷泽恩,理查德·琼斯,维克多·罗塞克,帕特里克·萨邦圭,杰瑞德·基苏,卢克·罗德里克,詹姆斯·皮齐纳托,埃里克·李塞德,山村宪之介,加里·切克,神奈川宏幸,特瑞·陈,詹姆斯·D·德弗,宝田明,杰森·弗鲁卡瓦,布莱恩·马克金森,泰·奥尔森,阿尔·萨皮恩扎,彼得·新田,比尔·马钱特,克里斯蒂安·特西尔,泰勒·尼科斯,安东尼·科尼切尼,森田友希,莱恩·爱德华兹,基奥·伍尔福
丽贝卡·豪尔,布莱恩·泰里·亨利,丹·史蒂文斯,凯莉·霍特尔,亚历克斯·费恩斯,陈法拉,瑞切尔·豪斯,朗·斯迈克,尚特尔·贾米森,格雷格·哈顿,凯文·科普兰,泰丝·多布雷,蒂姆·卡罗尔,安东尼·布兰登·黄,索菲亚·恩博森-贝恩,奇卡·伊科维,文森特·B·戈尔斯,叶叶·周,贾马利亚·欧斯曼,尼克·劳勒
《造物的奇迹》是一部1925年推出的其它电影, Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.