卡西·阿弗莱克,托默·卡蓬,劳伦斯·菲什伯恩,艾米丽·比查姆,大卫·莫瑞瑟,Nikolett Barabas,夏洛塔·勒夫格伦,马克·埃布鲁埃,哈里·索维克,艾格塔·达瑙,纳纳·詹姆斯,Ferenc Iván Szabó
张嘉益,沙溢,刘敏涛,孙浩,宋丹丹,王紫璇,宣言,陈思敏,姜冠南,代文雯
连姆·尼森,乔尔·金纳曼,珍尼希斯·罗德里格兹,艾德·哈里斯,尼克·诺特,波伊德·霍布鲁克,文森特·多诺费奥,科曼,布鲁斯·麦克吉尔,博·纳普,霍特·麦克卡兰尼,帕特丽夏·考莱姆伯,马尔科姆·古德温,拉蒂沃杰·布克维奇,詹姆斯·马丁内斯,丹尼尔·斯图尔特·谢尔曼,托尼·德文,约翰·塞纳迭姆博,伊维特麦奎因费伊
比尔·奈伊,艾米莉·布朗特,鲁伯特·格林特,鲁伯特·艾弗雷特,艾琳·阿特金斯,马丁·弗瑞曼,格莱格·费什尔,杰夫·贝尔
弗伦奇·斯图尔特,艾瑞克·阿瓦利,芭芭拉·巴布科克,杰森·贝盖,克拉儿·凯瑞,乔安娜·高茵,米西·派勒,Gideon Jacobs,切尔茜·拉索,迈克·温伯格,肖恩·卡梅伦·迈克尔,多尼·沃特罗斯
《笼中女[电影解说]》是一部1971年推出的美国解说, Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them.” “Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages. In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.